La Poste: Treasure trove alert Wednesday, Mar 24 2010 

When my newsletter from D. Blumchën and Co. comes, I stop whatever I am doing, and take a peek.

This wonderful old store imports all kinds of treasures, many of them from Germany. They are a craft artisan’s candy store. And for holiday addicts like me, they are the best fix.

Blumchën is currently featuring Easter goods — from vintage decorations to papier mâché eggs to decorate to German paper scrap for collaging. And they do have those wonderful sugar panorama eggs (which I have made before and much prefer to buy).

As you may or may not know, Germans own Christmas. So many of our holiday traditions come from Germany, and Christmas is a specialty at Blumchën. A lot of their stock (like the wonderful Santa garland below) sells out early, so don’t miss out.

While Christmas may be their specialty, if you are a fool for Halloween (like my sister Bendie), you will think Blumchën is simply spooktacular.

Expect to fall in love with Blumchën‘s Valentine treasures.

For craft artisans, you will find supplies at Blumchën that are difficult if not impossible to find elsewhere. I particularly like their papier mâché boxes, and I can’t wait to find the time to dress up one of the little papier mâché walnuts and place one of my littlest dolls inside (see below, left).

Blumchën is a great source for Dresden — die-cut foiled paper that comes in many forms, from borders and edgings to bunnies and the elegant “bonbonnière” (candy container) that can be made from the Dresden pictured below, right.

For the dolls’ milliner (hat maker), Blumchën imports wonderful tiny flowers, like those pictured and lots more, for trimming dolly’s bonnet.

If you have enjoyed these adorable images, do yourself a favor, and sign up for Blumchën‘s e-mail newsletter. You’ll rip it open the minute you see it in the inbox.

à bientôt…Tatie

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With Marie on my mind Monday, Jul 13 2009 

 

Trianon cheri

Trianon cheri

The story of Marie Antoinette – her world, her demise – fascinated me early on, as I studied French in high school. It was seminal in my lifelong affection for French culture and civilization.

All things Marie Antoinette have captivated creative imaginations lately. Take a look at the recent Somerset/Stampington publication, Marie. I adore the way so many artisans have picked up on the robin’s egg and pale pink of the era.

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We French hand-sewing enthusiasts would call the warm pale blue and pink of the trianon "Giger" pink and blue, after goods made by an old manufacturer of Swiss batiste.

Anyway, looking through Marie, I was inspired to create my Trianon chéri. The original Petit Trianon on the grounds of Versailles is especially fetching.

I began with a papier mâché house box, which I painted with a simple robin’s egg acrylic color, then spattered with brown. For the roof, I started with a base of flat chocolate brown acrylic. Once dry, I applied Tim Holtz’s Crackle Paint in Tattered Rose, which makes me very happy. 

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Torn pieces of Martha Stewart's Flourish paper in palest pink, the edges aged with distressing ink, give a hint of exposed brick or stone.

As a reference to exposed brick or stone, I applied torn pieces of Martha Stewart’s Flourish paper in palest pink. Edges of the paper were aged with Tim Holtz’s Distress Inkpad in Tea Dye.

Next came stamped images in brown from various sources, including the popular Paris set from Cavallini. It’s a lot of fun using an unexpected image as an architectural element.

Particularly whimsical is my treatment of the back of the trianon. I really enjoy working with these houses because the back gives you a full surface, a kind of stage if you have a narrative.

The couture fashion show is my favorite narrative, and for this one, I used stamps, including one from the incomparable Sandra Evertson. Then, I took some old pink and cream plaid twisted paper rope (wish I still had a source for this stuff) and fashioned a skirt, edged with scalloping scissors, and gathered and wrapped with a piece of Martha Stewart’s wonderful coffee bean-edged pink ribbon.

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Wish I could find more of the old cream-and-pink plaid twisted paper rope I used for my mannequin's skirt.

Finishing touch was the tiny paper roses at the front windows. I applied a couple on the side of the house with their wire stems, which gave the look of wild roses climbing up the side of the house. The foliage is model train moss. (I’d like to hear other ideas for foliage – not thrilled with the moss.)

It’s only natural that my first collage house would be a trianon and that it would carry so many Marie Antoinette nuances. I’m thinking my next inspiration will draw from Provence or the European garden folies – or maybe a little of both.

À bientôt…Tatie